Tag: Film noir
Guest post by Sheri Chinen Biesen The Society For Cinema & Media Studies hosts Sheri Chinen Biesen for presentation on this topic at the 2015 SCMS annual conference. Jazz music flourished in “musical” noir films, which were distinctive for showing smoke, shadows, and bluesy nightclub performers. The music recalled Harlem’s Cotton Club, where, according to…
Guest post by Sheri Chinen Biesen The Society For Cinema & Media Studies hosts Sheri Chinen Biesen for presentation on this topic at the 2015 SCMS annual conference. Jazz music flourished in “musical” noir films, which were distinctive for showing smoke, shadows, and bluesy nightclub performers. The music recalled Harlem’s Cotton Club, where, according to…
With the Academy Awards set for this weekend, we want to aim a key light on our terrific books in film history and cinema studies. Call the gaffer! A Cinema of Poetry: Aesthetics of the Italian Art Film by Joseph Luzzi “Luzzi brings a set of powerful resources to his new study: a vast erudition,…
With the Academy Awards set for this weekend, we want to aim a key light on our terrific books in film history and cinema studies. Call the gaffer! A Cinema of Poetry: Aesthetics of the Italian Art Film by Joseph Luzzi “Luzzi brings a set of powerful resources to his new study: a vast erudition,…
Guest post by Sheri Chinen Biesen I’m a bit of a nerd. I like digging around in Hollywood studio archives investigating classic cinema like you see on Turner Classic Movies with Humphrey Bogart and Lauren Bacall. I specialize in film noir, a series of 1940s–1950s American crime pictures noted for their moody, shadowy visual style…
Guest post by Sheri Chinen Biesen I’m a bit of a nerd. I like digging around in Hollywood studio archives investigating classic cinema like you see on Turner Classic Movies with Humphrey Bogart and Lauren Bacall. I specialize in film noir, a series of 1940s–1950s American crime pictures noted for their moody, shadowy visual style…
Guest Post by Mark Osteen A sharply creased fedora rests atop the oiled hair of a smart-talking detective, whose steely eyes gaze at a seductive blonde smoking a cigarette. When they kiss, a slinky jazz saxophone plays. Hat, blonde, smoke, jazz: these are the signature tropes of classic film noir. But there’s a problem: the…
Guest Post by Mark Osteen A sharply creased fedora rests atop the oiled hair of a smart-talking detective, whose steely eyes gaze at a seductive blonde smoking a cigarette. When they kiss, a slinky jazz saxophone plays. Hat, blonde, smoke, jazz: these are the signature tropes of classic film noir. But there’s a problem: the…